Isaiah 23:16

“Take a harp, go about the city, &c.] As harlots used to do, that by their music, both vocal and instrumental, they might allure men into their company to commit fornication with them; so Tyre is directed to, or rather this is a prophecy that she should take very artful and ensnaring methods to restore her commerce and merchandise: thou harlot that hast been forgotten; (see Gill on “<232315>Isaiah 23:15”): make sweet melody; or, “do well by striking”f472; that is, the harp in her hand; strike it well with art and skill, so as to make melody, and give pleasure: sing many songs; or, “multiply a song”f473; sing one after another, till the point is carried aimed at: that thou mayest be…”

“Same figure [Isa 23:15] to express that Tyre would again prosper and attract commercial intercourse of nations to her, and be the same joyous, self-indulging city as before.”

“Take an harp - This is a continuation of the figure commenced in the previous verse, a direct command to Tyre as an harlot, to go about the city with the usual expressions of rejoicing. Thus Donatus, in Terent. Eunuch., iii. 2, 4, says: ‘Fidicinam esse meretricum est;’ And thus Horace: ‘Nec meretrix tibicina, cujus Ad strepitum salias.’ 1 Epis. xiv. 25. Thou harlot that hast been forgotten - For seventy years thou hast lain unknown, desolate, ruined. Make sweet melody ... - Still the prophet keeps up the idea of the harlot that had been forgotten, and that would now call her lovers again to her dwelling. The sense is, that Tyre would rise to her former splendor, and that the nations would be…”

“Go about - As harlots use to do. Thou harlot - So he calls Tyre, because she enticed the merchants to deal with her by various artifices, and even by dishonest practices, and because of the great and general uncleanness which was committed in it. Isaiah 23:17”

“Pro 7:10-12; Jer 30:14 Isaiah 23:17”