Exodus 26:1

“Moreover, thou shalt make the tabernacle, etc.] Which he was ordered to make before, the pattern of which was shown him in the mount: this was an habitation for God to dwell in, as the word properly signifies, and into which the furniture before described was to be put; this tabernacle was a type both of the human nature of Christ, which is the true tabernacle which God pitched, and not man, the greater and more perfect one, (<580802>Hebrews 8:2 9:11) in which the fulness of the Godhead dwells bodily, where the glory of God is seen, in whom he grants his gracious presence to his people, and accepts of them and their sacrifices of prayer and praise; and also of the church of God,…”

“TEN CURTAINS (Exo. 26:1-37) cunning work--that is, of elegant texture, richly embroidered. The word "cunning," in old English, is synonymous with "skilful."”

“(Compare Exodus 36:8-33.) The tabernacle was to comprise three main parts, the tabernacle Exodus 26:1-6, more strictly so-called, its tent Exodus 26:7-13, and its covering Exodus 26:14 (Compare Exodus 35:11; Exodus 39:33-34; Exodus 40:19, Exodus 40:34; Numbers 3:25, etc.). These parts are very clearly distinguished in the Hebrew, but they are confounded in many places of the English Version (see Exodus 26:7, Exodus 26:9, etc.). The tabernacle itself was to consist of curtains of fine linen woven with colored figures of cherubim, and a structure of boards which was to contain the holy place and the most holy place; the tent was to be a true tent of goats’ hair cloth to contain and shelter the…”

“The curtains were to be embroidered with cherubim, to intimate that the angels of God pitched their tents round about the church, Psa 34:7. As there were cherubim over the mercy - seat, so there were round the tabernacle. There were to be two hangings, five breadths to each, sewed together, and the two hangings coupled together with golden clasps or tacks, so that it might be all one tabernacle, Exo 26:6. Thus the churches of Christ, though they are many, yet are one, being fitly joined together in holy love and by the unity of the Spirit, so growing into one holy temple in the Lord. This tabernacle was very strait and narrow, but at the preaching of the gospel, the church is bid to enlarge…”

“26:1-37 The Tabernacle proper (as distinct from the surrounding courtyard) was not very large. It was approximately 15 feet wide and 45 feet long. The supporting framework consisted of 48 vertical frames, 15 feet high and 27 inches wide (26:16). They were made of acacia wood overlaid with gold (26:15, 29). The frames were locked together with horizontal crossbars to form a three-sided rectangle with an open end (26:26-28). Two large linen curtains (each composed of five smaller ones) were then linked together into one and draped across the top of this framework. The combined total was long enough to hang down on the sides and rear (26:1-6), forming coverings for the walls as well as the…”

“the tabernacle with ten curtains: The word mishcan, from shachan, to dwell, means simply a dwelling-place, or habitation. "When God had brought the children of Israel out of Egypt," says the very learned Dr. Cudworth, "resolving to manifest himself in a peculiar manner present among them, he thought good to dwell amongst them in a visible and external manner; and therefore, while they were in the wilderness, and sojourned in tents, he would have a tent or tabernacle built, to sojourn with them also. - Now, the tabernacle being thus a house for God to dwell in visibly, to make up the notion of dwelling or habitation complete, there must be all things suitable to a house belonging to it.…”

“(cf. Ex 36:8-38). The Dwelling-Place. - This was to be formed of a framework of wood, and of tapestry and curtains. The description commences with the tapestry or tent-cloth ( Exo 26:1-14), which made the framework (vv. 15-30) into a dwelling. The inner lining is mentioned first ( Exo 26:1-6), because this made the dwelling into a tent (tabernacle). This inner tent-cloth was to consist of ten curtains (יריעת, αὐλαίαι), or, as Luther has more aptly rendered it, Teppiche, pieces of tapestry, i.e., of cloth composed of byssus yarn, hyacinth, purple, and scarlet. משׁזר twisted, signifies yarn composed of various colours twisted together, from which the finer kinds of byssus, for which the…”