2 Chronicles 3:10

“two cherubims--These figures in the tabernacle were of pure gold (Exo. 25:1-40) and overshadowed the mercy seat. The two placed in the temple were made of olive wood, overlaid with gold. They were of colossal size, like the Assyrian sculptures; for each, with expanded wings, covered a space of ten cubits in height and length--two wings touched each other, while the other two reached the opposite walls; their faces were inward, that is, towards the most holy house, conformably to their use, which was to veil the ark. The united height is here given; and though the exact dimensions would be thirty-six cubits, each column was only seventeen cubits and a half, a half cubit being taken up by the…”

“The word translated “image work,” or, in the margin, “moveable work,” occurs only in this passage, and has not even a Hebrew derivation. Modern Hebraists find an Arabic derivation, and explain the word to mean “carved work.” return to 'Top of Page'”

“Image work - Or, of moveable work, not fixed to the mercy - seat, as the Mosaical cherubim, but in a moving posture. It seems, they were designed to represent the angels, who attend the Divine Majesty. 2 Chronicles 3:13”

“3:10-13 The figures shaped like cherubim were made of costly wild olive wood and were covered with gold. Similar carvings have been found in Mesopotamia, Syria, and Canaan; such figures were a distinguishing feature of ancient thrones. Cherubim were composite creatures signifying the union of royalty (lion) with the highest powers of strength (bull), speed (eagle), and sagacity (human). Ancient temples found in Phoenicia show the throne of the deity supported by two animals. The sides of ancient Canaanite thrones were commonly shaped as cherubs. The cherubs of Solomon’s Temple were distinct because they were not designed to serve as a human throne. They were attached to the Ark, which was…”

“two cherubims: Kg1 6:23-28 image work: or, as some think, of movable work 2 Chronicles 3:13”

“The figures of the cherubim are called צעצעים מעשׂה, sculpture work. The ἁπ. λεγ.. צעצעים comes from צוּע, Arab. ṣâǵ, formavit, finxit, and signifies sculptures. The plur. יצפּוּ, "they overlaid them," is indefinite. The length of the wings was five cubits, and the four outspread wings extended across the whole width of the most holy place from one wall to the other. The repetition of the clauses האהר הכּרוּב...האהד כּנף ( Ch2 3:11, Ch2 3:12) has a distributive force: the top of one wing of each cherub reached the wall of the house, that of the other wing reached the wing of the other cherub standing by. In the repetition the masc. מגּיע alternates with the fem. מגּעת, being construed in…”