Attributed commentary excerpt
Keil & Delitzsch on Psalms 49:13
A historical reference excerpt for this verse. Read it alongside the biblical text and other available sources.
Commentary on the Old Testament
C. F. Keil & F. Delitzsch · 19th-century historical commentary
Source: BibleWord.ai's local reference edition of this named work.
(Heb.: 49:14-21) Second part of the discourse, of equal compass with the first. Those who are thought to be immortal are laid low in Hades; whilst, on the other hand, those who cleave to God can hope to be redeemed by Him out of Hades. Olshausen complains on this passage that the expression is abrupt, rugged, and in part altogether obscure. The fault, however, lies not, as he thinks, in a serious corruption of the text, but in the style, designedly adopted, of Psalms like this of a gloomy turn. זה דרכּם refers back to Psa 49:13, which is the proper mashal of the Psalm: this is their way or walk (דּרך as in Psa 37:5, cf. Hag 1:5). Close upon this follows כּסל למו (their way), of those (cf. Psa 69:4) who possess self-confidence; כּסל signifies confidence both in a good and bad sense, self-confidence, impudence, and even ( Ecc 7:25) in general, folly. The attributive clause is continued in Psa 49:14: and of those who after them (i.e., when they have spoken, as Hitzig takes it), or in a more universal sense: after or behind them (i.e., treading in their footsteps), have pleasure in their mouth, i.e., their haughty, insolent, rash words (cf. Jdg 9:38). If the meaning were "and after them go those who," etc., then one would expect to find a verb in connection with אחריהם (cf. Job 21:33). As a collateral definition, "after them = after their death," it would, however, without any reason, exclude the idea of the assent given by their contemporaries. It is therefore to be explained according to Job 29:22, or more universally according to Deu 12:30. It may seem remarkable that the music here strikes in forte; but music can on its part, in mournfully shrill tones, also bewail the folly of the world. Psa 49:14, so full of eschatological meaning, now describes what becomes of the departed. The subject of שׁתּוּ (as in Psa 73:9, where it is Milra, for שׁתוּ) is not, as perhaps in the case of ἀπαιτοῦσιν, Luk 12:20, higher powers that are not named; but שׁוּת (here שׁתת), as in Psa 3:7, Hos 6:11; Isa 22:7, is used in a semi-passive sense: like a herd of sheep they lay themselves down or they are made to lie down לשׁאול (thus it is pointed by Ben-Asher; whereas Ben-Naphtali points לשׁאול, with a silent Sheb), to Hades = down into Hades (cf. Psa 88:7), so that they are shut up in it like sheep in their fold. And who is the shepherd there who rules these sheep with his rod? מות ירעם. Not the good Shepherd ( Psa 23:1), whose pasture is the land of the living, but Death, into whose power they have fallen irrecoverably, shall pasture them. Death is personified, as in Job 18:14, as the king of terrors. The modus consecutivus, ויּרדּוּ, now expresses the fact that will be realized in the future, which is the reverse side of that other fact. After the night of affliction has swiftly passed away, there breaks forth, for the upright, a morning; and in this morning they find themselves to be lords over these their oppressors, like conquerors, who put their feet upon the necks of the vanquished (the lxx well renders it by κατακυριεύσουσιν). Thus shall it be with the upright, whilst the rich at their feet beneath, in the ground, are utterly destroyed. לבּקר has Rebia magnum, ישׁרים has Asla-Legarme; accordingly the former word does not belong to what follows (in the morning, then vanishes...), but to what precedes. צוּר or ציר (as in Isa 45:16) signifies a form or image, just as צוּרה (Arab. tsûrat) is generally used; properly, that which is pressed in or pre…
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