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Attributed commentary excerpt

Keil & Delitzsch on Job 40:4

A historical reference excerpt for this verse. Read it alongside the biblical text and other available sources.

Commentary on the Old Testament
C. F. Keil & F. Delitzsch · 19th-century historical commentary
Source: BibleWord.ai's local reference edition of this named work.
4 Behold, I am too mean: what shall I answer Thee? I lay my hand upon my mouth. 5 Once have I spoken, and will not begin again; And twice - I will do it no more. He is small, i.e., not equal to the task imposed, therefore he keeps his mouth firmly closed (comp. Job 21:5; Job 29:9), for whatever he might say would still not be to the point. Once he has dared to criticise God's doings; a second time (שׁתּים = שׁנית, Ges. 120, 5) he ventures it no more, for God's wondrous wisdom and all-careful love dazzle him, and he gladly bows. But how? Is not the divine speech altogether different from what one ought to expect? One expects to hear from the mouth of Jehovah something unheard of in the previous course of the drama, and in this expectation we find ourselves disappointed at the outset. For one need only look back and read Job 9:4-10, where Job acknowledges and describes God as a wise and mighty Lord over the natural world, especially as an irresistible Ruler over everything great in it; Job 12:7-10, where he refers to the creatures of the sky and deep as proofs of God's creative power; Job 12:11-25, where he sketches the grandest picture of God's terrible doings in nature and among men; Job 26:5-14, where he praises God as the Creator and Lord of all things, and describes what he says concerning Him as only a faint echo of the thunder of His might; Job 28:23, where he ascribes absolute wisdom to Him as the Creator of and Ruler of the world. If one ponders these passages of Job's speeches, he will not be able to say that the speech of Jehovah, in the exhibition of the creative power and wisdom of God, which is its theme, would make Job conscious of anything which was previously unknown to him; and it is accordingly asked, What, then, is there that is new in the speech of Jehovah by which the great effect is brought about, that Job humbles himself in penitence, and becomes ready for the act of redemption which follows? It has indeed never occurred to Job to desire to enter into a controversy with God concerning the works of creation; he is far from the delusion of being able to stand such a test; he knows in general, that if God were willing to contend with him, he would not be able to answer God one in a thousand, Job 9:3. And yet God closely questioned him, and thereby Job comes to the perception of his sin - how comes it to pass? Has the plot of the drama perhaps failed in this point? Has the poet made use of means unsuited to the connection of the whole, to bring about the needful effect, viz., the repentance of Job, - because, perhaps, the store of his thoughts was exhausted? But this poet is not so poor, and we shall therefore be obliged to try and understand the disposition of the speech of Jehovah before we censure it. When one of Job's last words before the appearing of Jehovah was the word שׁדי יענני, Job thereby desired God's decision concerning the testimony of his innocence. This wish is in itself not sinful; yea, it is even a fruit of his hidden faith, when he casts the look of hope away from his affliction and the accusation of the friends, into the future to God as his Vindicator and Redeemer. But that wish becomes sinful when he looks upon his affliction as a de facto accusation on the part of God, because he cannot think of suffering and sin as separable, and because he is conscious of his innocence, looks upon it as a decree of God, his opponent and his enemy, which is irreconcilable with the divine justice. This Job's…

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