Attributed commentary excerpt
Keil & Delitzsch on Job 14:17
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Commentary on the Old Testament
C. F. Keil & F. Delitzsch · 19th-century historical commentary
Source: BibleWord.ai's local reference edition of this named work.
17 My transgression is sealed up in a bag, And Thou hast devised additions to my iniquity. 18 But a falling mountain moveth indeed, And a rock falleth from its place. 19 Water holloweth out stone, Its overflowings carry away the dust of the earth, And the hope of man - Thou destroyest. The meaning of Job 14:17 is, not that the judgment which pronounces him guilty lies in the sealed-up bag of the judge, so that it requires only to be handed over for execution (Hirz., Ew., Renan), for although פּשׁע (though not exactly the punishment of sin, which it does not signify even in Dan 9:24) can denote wickedness, as proved and recorded, and therefore metonomically the penal sentence, the figure is, however, taken not from the mode of preserving important documents, but from the mode of preserving collected articles of value in a sealed bag. The passage must be explained according to Hos 13:12; Deu 32:34; Rom 2:5, comp. Jer 17:1. The evil Job had formerly ( Job 13:26) committed according to the sentence of God, God has gathered together as in a money bag, and carefully preserved, in order now to bring them home to him. And not this alone, however; He has devised still more against him than his actual misdeeds. Ewald translates: Thou hast sewed up my punishment; but טפל (vid., on Job 13:4) signifies, not to sew up, but: to sew on, patch on, and gen. to add (טפל, Rabb. accidens, a subordinate matter, opp. עקּר), after which the lxx translates ἐπεσημήνω (noted in addition), and Gecatilia Arab. ḥftṣt (added to in collecting). It is used here just as in the Aramaic phrase טפל שׁקרא (to patch on falsehood, to invent scandal). The idea of the figures which follow is questionable. Hahn maintains that they do not describe destruction, but change, and that consequently the relation of Job 14:19 to what precedes is not similarity, but contrast: stones are not so hard, that they are not at length hollowed out, and the firm land is not so firm that it cannot be carried away by the flood; but man's prospect is for ever a hopeless one, and only for him is there no prospect of his lot ever being changed. Thus I thought formerly it should be explained: considering the waw, Job 14:19, as indicative not of comparison, but of contrast. But the assumption that the point of comparison is change, not destruction, cannot be maintained: the figures represent the slow but inevitable destruction wrought by the elements on the greatest mountains, on rocks, and on the solid earth. And if the poet had intended to contrast the slow but certain changes of nature with the hopelessness of man's lot, how many more appropriate illustrations, in which nature seems to come forth as with new life from the dead, were at his command! Raschi, who also considers the relation of the clauses to be antithetical, is guided by the right perception when he interprets: even a mountain that is cast down still brings forth fruit, and a rock removed from its place, even these are not without some signs of vitality in them, יבּול = (יבוּל) יעשׂהבוּל, which is indeed a linguistic impossibility. The majority of expositors are therefore right when they take the waw, Job 14:19, similarly to Job 5:7; Job 11:12; Job 12:11, as waw adaequationis. With this interpretation also, the connection of the clause with what precedes by ואוּלם (which is used exactly as in Job 1:11; Job 11:5; Job 12:7, where it signifies verum enim vero or attamen) is unconstrained. The course of thought is as follows: With un…
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