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Attributed commentary excerpt

Keil & Delitzsch on Isaiah 66:17

A historical reference excerpt for this verse. Read it alongside the biblical text and other available sources.

Commentary on the Old Testament
C. F. Keil & F. Delitzsch · 19th-century historical commentary
Source: BibleWord.ai's local reference edition of this named work.
The judgment predicted here is a judgment upon nations, and falls not only upon the heathen, but upon the great mass of Israel, who have fallen away from their election of grace and become like the heathen. "They that consecrate themselves and purify themselves for the gardens behind one in the midst, who eat swine's flesh and abomination and the field-mouse-they will come to an end together, saith Jehovah." The persons are first of all described; and then follows the judgment pronounced, as the predicate of the sentence. They subject themselves to the heathen rites of lustration, and that with truly bigoted thoroughness, as is clearly implied by the combination of the two synonyms hammithqaddeshı̄m and hammittahărı̄m (hithpael with an assimilated tav), which, like the Arabic qadusa and tahura, are both traceable to the radical idea ἀφορίζειν. The אל of תונּגּה־לא is to be understood as relating to the object or behoof: their intention being directed to the gardens as places of worship ( Isa 1:29; Isa 65:3), ad sacra in lucis obeunda, as Shelling correctly explains. In the chethib בּתּוך אחד אחר, the אחד (for which we may also read אחד, the form of connection, although the two pathachs of the text belong to the keri) is in all probability the hierophant, who leads the people in the performances of the rites of religious worship and as he is represented as standing in the midst (בּתּוך) of the worshipping crowd that surrounds him, 'achar (behind, after) cannot be understood locally, as if they formed his train or tail, but temporally or in the way of imitation. He who stands in their midst performs the ceremonies before them, and they follow him, i.e., perform them after him. This explanation leaves nothing to be desired. The keri, 'achath, is based upon the assumption that 'achad must refer to the idol, and substitutes therefore the feminine, no doubt with an allusion to 'ăshērâh, so that battâvekh (in the midst) is to be taken as referring not to the midst of the worshipping congregation, but to the midst of the gardens. This would be quite as suitable; for even if it were not expressly stated, we should have to assume that the sacred tree of Astarte, or her statue, occupied the post of honour in the midst of the garden, and 'achar would correspond to the phrase in the Pentateuch, אחרים אלהים אחרי זנה. But the foregoing expression, sanctificantes et mundantes se (consecrating and purifying), does not favour this sense of the word 'achar (why not ל = לכבוד?), nor do we see why the name of the goddess should be suppressed, or why she should be simply hinted at in the word אחת (one). אחד (אחד) has its sufficient explanation in the antithesis between the one choir-leader and the many followers; but if we take 'achath as referring to the goddess, we can find no intelligible reason or object. Some again have taken both 'achad and 'achath to be the proper name of the idol. Ever since the time of Scaliger and Groitus, 'achad has been associated with the Phoenician ̓́Αδωδος βασιλεὺς θεῶν mentioned by Sanchuniathon in Euseb. praep. ev. 1, 10, 21, or with the Assyrian sun-god Adad, of whom Macrobius says (Saturn. 1, 23), Ejus nominis interpretatio significat unus; but we should expect the name of a Babylonian god here, and not of a Phoenician or Assyrian (Syrian) deity. Moreover, Macrobius' combination of the Syrian Hadad with 'achad was a mere fancy, arising from an imperfect knowledge of the language. Clericus' combination of 'achat…

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