Attributed commentary excerpt
Keil & Delitzsch on 1 Samuel 6:4
A historical reference excerpt for this verse. Read it alongside the biblical text and other available sources.
Commentary on the Old Testament
C. F. Keil & F. Delitzsch · 19th-century historical commentary
Source: BibleWord.ai's local reference edition of this named work.
The trespass-offering was to correspond to the number of the princes of the Philistines. מספּר is an accusative employed to determine either measure or number (see Ewald, 204, a.), lit., "the number of their princes:" the compensations were to be the same in number as the princes. "Five golden boils, and five golden mice," i.e., according to Sa1 6:5, images resembling their boils, and the field-mice which overran the land; the same gifts, therefore, for them all, "for one plague is to all and to your princes," i.e., the same plague has fallen upon all the people and their princes. The change of person in the two words, לכלּם, "all of them," i.e., the whole nation of the Philistines, and לסרניכם, "your princes," appears very strange to us with our modes of thought and speech, but it is by no means unusual in Hebrew. The selection of this peculiar kind of expiatory present was quite in accordance with a custom, which was not only widely spread among the heathen but was even adopted in the Christian church, viz., that after recovery from an illness, or rescue from any danger or calamity, a representation of the member healed or the danger passed through was placed as an offering in the temple of the deity, to whom the person had prayed for deliverance; (Note: Thus, after a shipwreck, any who escaped presented a tablet to Isis, or Neptune, with the representation of a shipwreck upon it; gladiators offered their weapons, and emancipated slaves their fetters. In some of the nations of antiquity even representations of the private parts, in which a cure had been obtained from the deity, were hung up in the temples in honour of the gods (see Schol. ad Aristoph. Acharn. 243, and other proofs in Winer's Real-wrterbuch, ii. p. 255). Theodoret says, concerning the Christians of the fourth century (Therapeutik. Disp. viii.): Ὅτι δὲ τυγχάνουσιν ὧνπερ αἰτοῦσιν οἱ πιστῶς ἐπαγγέλλοντες ἀναφανδὸν μαρτυρεὶ τὰ τούτων ἀναθήματα, τὴν ἰατρείαν δηλοῦντα, οἱ μὲν γὰρ ὀφθαλμῶν, οἱ δὲ ποδῶν ἄλλοι δὲ χειρῶν προσφέρουσιν ἐκτυπώματα καὶ οἱ μὲν ἐκ χρυσοῦ, οἱ δὲ ἐξ ὕλης ἀργύρου πεποιημένα. Δέχεται γὰρ ὁ τούτων Δεσπότης καὶ τὰ σμικρά τε καὶ εὔωνα, τῇ τοῦ προσφέροντος δυνάμει τὸ δῶρον μετρῶν. Δηλοῖ δὲ ταῦτα προκείμενα τῶν παθημάτων τὴν λύσιν, ἧς ἀνετέθη μνημεῖα παρὰ τῶν ἀρτίων γεγενημένων. And at Rome they still hang up a picture of the danger, from which deliverance had been obtained after a vow, in the church of the saint invoked in the danger.) and it also perfectly agrees with a custom which has prevailed in India, according to Tavernier (Ros. A. u. N. Morgenland iii. p. 77), from time immemorial down to the present day, viz., that when a pilgrim takes a journey to a pagoda to be cured of a disease, he offers to the idol a present either in gold, silver, or copper, according to his ability, of the shape of the diseased or injured member, and then sings a hymn. Such a present passed as a practical acknowledgement that the god had inflicted the suffering or evil. If offered after recovery or deliverance, it was a public expression of thanksgiving. In the case before us, however, in which it was offered before deliverance, the presentation of the images of the things with which they had been chastised was probably a kind of fine or compensation for the fault that had been committed against the Deity, to mitigate His wrath and obtain a deliverance from the evils with which they had…
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