Attributed commentary excerpt
Barnes' Notes on Revelation 9:11
A historical reference excerpt for this verse. Read it alongside the biblical text and other available sources.
Notes on the Whole Bible
Albert Barnes (1798–1870) · 19th-century historical commentary
Source: BibleWord.ai's local reference edition of this named work.
And they had a king over them - A ruler who marshalled their hosts. Locusts often, and indeed generally, move in bands, though they do not appear to be under the direction of anyone as a particular ruler or guide. In this case it struck John as a remarkable peculiarity that they had a king - a king who, it would seem, had the absolute control, and to whom was to be traced all the destruction which would ensue from their emerging from the bottomless pit. Which is the angel of the bottomless pit - See the notes on Revelation 9:1. The word “angel” here would seem to refer to the chief of the evil angels, who presided over the dark and gloomy regions from whence the locusts seemed to emerge. This may either mean that this evil angel seemed to command them personally, or that his spirit was infused into the leader of these hosts. Whose name in the Hebrew tongue is Abaddon - The name Abaddon means literally “destruction,” and is the same as Apollyon. But in the Greek tongue hath his name Apollyon - From ἀπόλλυμι apollumi - “to destroy.” The word properly denotes “a destroyer,” and the name is given to this king of the hosts, represented by the locusts, because this would be his principal characteristic. After this minute explanation of the literal meaning of the symbol, it may be useful, before attempting to apply it, and to ascertain the events designed to be represented, to have a distinct impression of the principal image - the locust. It is evident that this is, in many respects, a creature of the imagination, and that we are not to expect the exact representation to be found in any forms of actual existence in the animal creation. The following engraving, prepared by Mr. Elliott (vol. i. p. 410), will give a sufficiently accurate representation of this symbolical figure as it appeared to John. The question now is, whether any events occurred in history, subsequent to and succeeding those supposed to be referred to in the fourth trumpet, to which this symbol would be applicable. Reasons have already been suggested for supposing that there was a transfer of the seat of the operations to another part of the world. The first four trumpets referred to a continual series of events of the same general character, and having a proper close. These have been explained as referring to the successive shocks which terminated in the downfall of the Western empire. At the close of that series there is a pause in the representation Revelation 8:13, and a solemn proclamation that other scenes were to open distinguished for woe. These were to be symbolized in the sounding of the remaining three trumpets, embracing the whole period until the consummation of all things - or sketching great and momentous events in the future, until the volume sealed with the seven seals Revelation 5:1 should have been wholly unrolled and its contents disclosed. The whole scene now is changed. Rome has fallen. It has passed into the hands of strangers. The power that had spread itself over the world has, in that form, come to an end, and is to exist no more - though, as we shall see (Rev. 11ff), another power, quite as formidable, existing there, is to be described by a new set of symbols. But here Rev. 9 a new power appears. The scenery is all Oriental, and clearly has reference to events that were to spring up in the East. With surprising unanimity, commentators have agreed in regarding this as referring to the empire of the Saracens, or to the rise and progress of the…
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