Psalms Chapter 9

“I will praise [thee], O Lord, with my whole, heart, etc.] This is what is called in the New Testament making melody in the heart, or singing with grace in the heart, (<490519>Ephesians 5:19 <510316>Colossians 3:16); and yet does not signify mere mental singing, but vocal singing, the heart joining therein; for the word here used for praise signifies to confess, to speak out, to declare openly the praises of God in the public congregation, as David elsewhere determines to do, (<19B101>Psalm 111:1 138:1,2); the heart ought to, be engaged in every, part of divine service and worship, whether in preaching or in…”

“Upon Muthlabben, or, after the manner according to "death to the Son," by which some song was known, to whose air or melody the musician is directed to perform this Psalm. This mode of denoting a song by some prominent word or words is still common (compare Psa 22:1). The Psalmist praises God for deliverance from his enemies and celebrates the divine government, for providing security to God's people and punishment to the wicked. Thus encouraging himself, he prays for new occasions to recount God's mercies, and confident of His continued judgment on the wicked and vindication of the oppressed, he implores a…”

“I will praise thee, O Lord - That is, in view of the merciful interpositions referred to in the psalm Psalms 9:3-5, and in view of the attributes of God’s character which had been displayed on that occasion Psalms 9:7-12. With my whole heart - Not with divided affection, or with partial gratitude. He meant that all his powers should be employed in this service; that he would give utterance to his feelings of gratitude and adoration in the loftiest and purest manner possible. I will show forth - I will recount or narrate - to wit, in this song of praise. All thy marvelous works - All his works or doings fitted to…”

“Turned back - Put to flight. Psalms 9:7”

“Pss 9–10 This hymn celebrates the Lord’s kingship and victory over evil. It might also serve as a response to the laments of Pss 3–7. Some believe that Pss 9 and 10 should be read together as one psalm in two parts because Ps 9 includes a title and Ps 10 does not, and although several letters are missing or inverted, the two psalms connect as an acrostic of the Hebrew alphabet (other such alphabetic acrostics are Pss 25, 34, 37, 111–112, 119, 145). The ancient Greek and Latin translations treat 9 and 10 as one. 9:title This psalm was originally sung to the tune “Death of the Son,” but that tune is no longer…”

“praise: Psa 7:17, Psa 34:1-4, Psa 103:1, Psa 103:2, Psa 145:1-3, Psa 146:1, Psa 146:2; Ch1 29:10-13; Isa 12:1; Heb 13:15; Rev 5:9-14 with my: Psa 86:12, Psa 111:1, Psa 138:1; Luk 10:27 show: Psa 9:14, Psa 51:15, Psa 106:2; Ch1 16:12, Ch1 16:24; Isa 43:21, Isa 60:6; Rev 15:3 Psalms 9:2”

“(Heb.: 9:2-3) In this first strophe of the Psalm, which is laid out in tetrastichs-the normative strophe-the alphabetical form is carried out in the fullest possible way: we have four lines, each of which begins with א. It is the prelude of the song. The poet rouses himself up to a joyful utterance of Jahve's praise. With his whole heart ( Psa 138:1), i.e., all his powers of mind and soul as centred in his heart taking part in the act, will he thankfully and intelligently confess God, and declare His wondrous acts which exceed human desire and comprehension ( Psa 26:7); he will rejoice and be glad in Jahve, as…”